One forest has replaced another, just as-in the poem-one choice will supplant another. An inveterate New England farmer and woodsman, Robert Frost would have known these woods were “new”-full of trees that had grown after older ones had been decimated. Both birches and alders are “pioneer species,” the first trees to come back after the land has been stripped bare by logging or forest fires. The leaves of both turn bright yellow in fall, distinguishing them from maple leaves, which flare red and orange. The yellow leaves suggest that the poem is set in autumn, perhaps in a section of woods filled mostly with alder or birch trees. Defining the wood with one feature prefigures one of the essential ideas of the poem: the insistence that a single decision can transform a life. In his description of the trees, Frost uses one detail-the yellow leaves-and makes it emblematic of the entire forest. Out walking, the speaker comes to a fork in the road and has to decide which path to follow: Two roads diverged in a yellow wood, “The Road Not Taken” begins with a dilemma, as many fairytales do. … Mea culpa.” However, Frost liked to quip, “I’m never more serious than when joking.” As his joke unfolds, Frost creates a multiplicity of meanings, never quite allowing one to supplant the other-even as “The Road Not Taken” describes how choice is inevitable. Soon after writing the poem in 1915, Frost griped to Thomas that he had read the poem to an audience of college students and that it had been “taken pretty seriously … despite doing my best to make it obvious by my manner that I was fooling. When they went walking together, Thomas was chronically indecisive about which road they ought to take and-in retrospect-often lamented that they should, in fact, have taken the other one. We want to hear what you think about this article.Robert Frost wrote “ The Road Not Taken” as a joke for a friend, the poet Edward Thomas. It is now widely considered to be one of the most popular works of American literature. “The Road Not Taken” was originally published in The Atlantic in 1915 along with two other poems from Frost. It’s a commentary on the self-deception we practice when constructing the story of our own lives.” In the final stanza, we can’t know whether the speaker is sighing with contentedness or regret as he justifies the choices he’s made and shapes the narrative of his life.įrost wrote the poem to tease his chronically indecisive friend, Edward Thomas, who misinterpreted the meaning and enlisted in the military shortly thereafter, only to be killed two years later in WWI. In fact, the critic David Orr deemed Frost’s work “the most misread poem in America,” writing in The Paris Review: “This is the kind of claim we make when we want to comfort or blame ourselves by assuming that our current position is the product of our own choices… The poem isn’t a salute to can-do individualism. But as Frost liked to warn his listeners, “You have to be careful of that one it’s a tricky poem-very tricky.” In actuality, the two roads diverging in a yellow wood are “really about the same,” according to Frost, and are equally traveled and quite interchangeable. This interpretation has long been propagated through countless song lyrics, newspaper columns, and graduation speeches. Robert Frost’s poem “The Road Not Taken” is often interpreted as an anthem of individualism and nonconformity, seemingly encouraging readers to take the road less traveled.
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